The project centres around two blown glass forms whose unstable surfaces are shaped through inflation, gravity, heat, collapse, and continuous manipulation. Rather than functioning as static sculptural objects, the forms operate as relational surfaces that invite touch, balance, attachment, resistance, and adaptation. Through bodily interaction, the work explores how bodies search for temporary moments of alignment between themselves, objects, and space.

Close-up photographic images capturing skin pressed against the glass surfaces further blur the boundaries between body and object. Touch, pressure, and proximity leave temporary traces, transforming the glass into a site of intimacy, tension, and bodily residue.

Long-exposure photography plays a central role within the work. Rather than serving as documentation, it compresses movement, hesitation, duration, and spatial negotiation into luminous traces of light and motion. These accumulated paths generate temporary behavioural sculptures.

Through this practice, the work moves beyond the idea of sculpture as a fixed object, proposing instead an evolving relational system shaped through contact, traces, coexistence, and behavioural mapping. Meaning emerges through continuous negotiation rather than resolution, allowing the work to exist as an ever-shifting field of bodily, spatial, and temporal relationships.